{"version":"1.0","provider_name":"\u57ce\u5e02\u6742\u5fd7","provider_url":"https:\/\/citymagazine.si\/zh","author_name":"An\u017ee Pompe","author_url":"https:\/\/citymagazine.si\/zh\/author\/anzepompe\/","title":"Psihologija barv: kako z barvo filmski ustvarjalci manipulirajo z na\u0161imi \u010dustvi","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"xqbsPUOAIy\"><a href=\"https:\/\/citymagazine.si\/zh\/\u8272\u5f69\u5fc3\u7406\u5b66\uff0c\u7535\u5f71\u5236\u7247\u4eba\u5982\u4f55\u5229\u7528\u8272\u5f69\u6765\u64cd\u7eb5\u6211\u4eec\/\">\u8272\u5f69\u5fc3\u7406\u5b66\uff1a\u7535\u5f71\u5236\u7247\u4eba\u5982\u4f55\u5229\u7528\u8272\u5f69\u6765\u64cd\u7eb5\u6211\u4eec\u7684\u60c5\u7eea<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/citymagazine.si\/zh\/\u8272\u5f69\u5fc3\u7406\u5b66\uff0c\u7535\u5f71\u5236\u7247\u4eba\u5982\u4f55\u5229\u7528\u8272\u5f69\u6765\u64cd\u7eb5\u6211\u4eec\/embed\/#?secret=xqbsPUOAIy\" width=\"600\" height=\"338\" title=\"\u300a Psihologija barv: kako z barvo filmski ustvarjalci manipulirajo z na\u0161imi \u010dustvi \u300b\u2014City Magazine\" data-secret=\"xqbsPUOAIy\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>","thumbnail_url":"https:\/\/i0.wp.com\/citymagazine.si\/wp-content\/uploads\/2015\/10\/tumblr_nw4ew0dlgx1qzleu4_og_1280-1.jpg?fit=1200%2C675&ssl=1","thumbnail_width":1200,"thumbnail_height":675,"description":"Nekateri filmski kritiki pravijo, da lahko \u017ee po barvi filmskih prizorov prepoznamo \u017eanr filma. Topli rde\u010di toni so namre\u010d rezervirani za romanti\u010dne filme, manj nasi\u010dene barve za apokalipti\u010dne filme, modri hladni toni za grozljivke, fluorescen\u010dno zeleni odtenki za znanstveno fantastiko, rumeni za filme v pu\u0161\u010davi, nasi\u010deni \u017eivahni rde\u010di toni za komedije, za vse preostale \u017eanre pa sta tu epska modra in oran\u017ena. Kaj ho\u010dejo s temi barvami filmski ustvarjalci dose\u010di in kako zelo s tehniko tu\u0161iranja vplivajo na na\u0161a \u010dustva? Ve\u010d o tem v nadaljevanju."}