The basic rules of composition in creating a great photo

Would like to improve your photos? For this, you do not need to go to a photo store to get a better camera, following some photographic rules, such as the basic rules of composition, will make specific improvements free of charge quality of your photos, which will now communicate what you wanted. Just as in a newspaper, not everything is written in the same font size, so that the reader can distinguish between important and less important, the same is true in photography, where composition is one of those elements that can makes a huge difference.

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At the same time, it should be emphasized that they are in the photo rules to be broken. But this must be done with feeling, and only once you know and put into practice the advice from the sequel, you can be "disobedient" from time to time.

The rule of thirds. Imagine that the frame is divided into thirds (vertically and horizontally). The four intersections of the imaginary lines are the areas where you place the object/subject you want to highlight.

The rule of thirds. An imaginary line should run through important elements.

Wiring. Try to find an element in the frame that leads the viewer's eye through the image to the center of interest.

Wiring. Try to find an element in the frame that leads the viewer's eye through the image to the center of interest.

Diagonals. A composition in which the basic elements are arranged diagonally. If there are several diagonal directions in the arrangement, one must be dominant and the others subordinate to it. Diagonals can clearly be imaginary or indicated.

Diagonals. A composition in which the basic elements are arranged diagonally. If there are several diagonal directions in the arrangement, one must be dominant and the others subordinate to it. Diagonals can clearly be imaginary or indicated.

Framing. Trim behind windows or doors.

Framing. Trim behind windows or doors.

Emergence of the subject. Find the contrast between the subject and the background and somehow isolate it from the latter.

Emergence of the subject. Find the contrast between the subject and the background and somehow isolate it from the latter.

Fill in the picture. The famous war photographer Robert Capa once said that if the pictures aren't good enough, it means we weren't close enough.

Fill in the picture. The famous war photographer Robert Capa once said that if the pictures aren't good enough, it means we weren't close enough.

Dominant eye on Wednesday. Place the dominant eye in the center of the photo, as this creates the Mona Lisa effect, i.e. the feeling that the eye follows you.

Dominant eye on Wednesday. Place the dominant eye in the center of the photo, as this creates the Mona Lisa effect, i.e. the feeling that the eye follows you.

Repetition. Repeating the pattern gives a sense of size and multiplicity of elements in the photo. But for a homogeneous sample, you need to cover a sufficiently large amount of the same objects.

Repetition. Repeating the pattern gives a sense of size and multiplicity of elements in the photo. But for a homogeneous sample, you need to cover a sufficiently large amount of the same objects. Samples are an aesthetic moment.

Symmetry. Symmetry in a photo is pleasing to the eye, but deciding whether symmetry or the rule of thirds is often a matter of personal preference. In this case, neither choice is wrong.

Symmetry. Symmetry in a photo is pleasing to the eye, but deciding whether symmetry or the rule of thirds is often a matter of personal preference. In this case, neither choice is wrong.