From a theatrical point of view, the production of the Koper Theater is set up a bit differently than most stage plays. Director Vito Taufer and the four actors explore the very depths of man and his capacity for bending, both historical and everyday. On stage there will be such...
From a theatrical point of view, the production of the Koper Theater is set up a bit differently than most stage plays. Director Vito Taufer and the four actors explore the very depths of man and his capacity for bending, both historical and everyday. On the stage, such research will appear in the replacement of the role of the director, since he, in a sense, enslaves the actor. This time the actor is placed in the role of author, while the director only got the role of observer or an active viewer. Thus, an attempt is made to break the petrified theatrical hierarchy, which, as in real life, bends one and straightens the other. The play, for which the music was composed by Njeboša Pop-Tasić, contains elements of improvisation.
