Yugoslav modernism differed significantly from the Eastern model. The history of socialist-type modernism shows the peculiarities of Eastern European art, which can also be seen in the photographs taken by the Italian photographer Roberto Conte in the Serbian capital, Belgrade.
Belgrade it is also decades after the breakup of Yugoslavia still an important monument of the time when it was still the capital of our common country and sweetheart socialist architecture. Modernist architecture and urbanism from the period of socialist Yugoslavia show many original and experimental examples, and the most magnificent ones were recently captured by an Italian photographer without any embellishments Roberto Conte.
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A case of the most dominant buildings, which grew up in the 1960s and 1970s and still contribute to the city today an important seal, although they are more than just a remnant of time.