Croatian director Oliver Frljić, who last year impressed audiences in Ljubljana and other European audiences with the Rijeka performance Turbofolk, will collaborate with the Slovenian stage for the first time. We can expect a radical approach to...
Croatian director Oliver Frljić, who impressed Ljubljana and other European audiences last year with the Rijeka performance Turbofolk, will be collaborating with the Slovenian stage for the first time. We can expect a radical approach to the theater, as this time the director tackles love and hatred for the theater, a web of madness and pain. The framework for this questioning of the limits of artistic and civil freedom are fragments of the story of the collapse of World War II. Yugoslavia, a symbolic space in which actors and actresses settle with dilemmas that we all face. Under the working title Hey Slovani, the director will develop the project according to the ti principle devised theatre, which means that it will not be created from a previously selected textual basis, but the text will develop during the creation of the performance. In accordance with this way of working, the title of the performance will also be defined during the process itself.
