According to the concept and directed by Beton Ltd. Anton Podbevšek is coming to the stage of the Premiere Theater of Everything We Lost While We Lived. Beton Ltd. tackles the problems of the modern world with a measure of self-reflection and humor, with innovative methods and procedures, and the current premiere will be no exception.
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The international co-production between Northern Ireland, Bosnia and Slovenia comes to us with only two iterations.
The young director Marko Čeh stages Ionesco's Murderer because, through the interweaving of different genres, Bérenger confronts the murderer.
With his first author's work, Divjad, Nejc Gazvoda embarks on a hunt for the truth, caught in the turbulent times of Slovenia in the 21st century.
Ljubljana Improvisation Theater (IGLU) with guests: Pre-Halloween Tutti Frutti on Metelkova is preparing the scariest spontaneous party.
The premiere of a dramatic puppet show for children touches on the topical issue of children's plight.
This light-hearted "women's" comedy by the popular Croatian playwright Miro Gavran, directed by Barbara Hieng Samobor, will surely appeal to everyone who wants entertainment and relaxation after a tiring everyday life in the theater.
The freckled prankster is conquering the stage boards again. Even now, she does not obey, she does not remove herself from the world of adults, she lives according to her own rules, she is free and just. As we know it.
In Maribor Puppet Theatre, this weekend will be marked by two award-winning performances for adults - Salto Mortale and Proces or Sad Story by Josef K.
In the Magical Land - where they create opera, ballet and magic shows for children, they follow a defined cultural policy, so they enthusiastically bring the art of opera and ballet to deaf and deaf-mute children.
The tragedy Othello with its theme, which, in addition to love and jealousy, also includes trust, loyalty, betrayal, hypocrisy, conceit, prejudice, the appearance of evil in all its forms, the gap between appearance and reality, and last but not least, xenophobia and racism.
Pavla Jesih was the inspiration for Matjaž Pograjec's latest play, in which the director also dressed his artistic colleagues in gojzarjes.